Structural organisation of the body influences how a person perceives the world. Our physical movement patterns and neurological patterns are directly interlinked.
I first became aware of the bodymind connection in the early days of being a physical therapist. The work of Ken Dychtwald (BodyMind) is a great introduction to this, with other studies from Mabel Todd (The Thinking Body), Wilhelm Reich (Character Analysis), & Dr. Rolf (Rolfing & Physical Reality).
Looking at the structural blocks of our bodies, there is a variance in structural organisation. Through bodywork or simple movement exercises we can explore and get to know these patterns.
Inspired by the work of Giovanni Fusetti, it is possible to take it one step further and see the vector of movement acting on the body as a whole.
The space of our imagination
What we paint on a blank canvas, the space of our imagination, directly relates to our structural organisation.
In training performers in physical theatre, Jacques Lecoq developed “The Neutral Mask“. The journey of the neutral mask is an experience where the performer travels on stage through different natural landscapes. Their imagination creates the space through which they move. For example, the exercise maybe to “wake up in the savannah, travel through a forest and reach the sea”.
Through the work of Giovanni Fusetti, body analysis followed by neutral mask work has shown, that the type of “forest” or “savannah” created directly connects to the vector of movement in the performer’s body.
The imagined space created replicates the structural movement dynamics within the performer’s body.
If you are researching a similar field and would like to find out more information, please get in touch by emailing Vicky Wright at firstname.lastname@example.org. Thank you.